V FOR VENDETTA ***
USA/UK/GERMANY: John McTeigue, 2005
Format: SD DVD
Region: 2 (UK)
DVD Distributor: Warner Bros
In what is fast becoming our weekly ritual, the girlfriend (or The Countessa as she shall now forthwith be respectfully referred to) and I snuggled up last Sunday evening to watch V For Vendetta. I had succeeded in side stepping the buzz surrounding the film during the course of its theatrical release. However, I was intrigued by its rumoured play upon the Guy Fawkes legend and had been meaning to give the disc a spin at some point.
Now I know very little about the film's tortuous transition from highly respected graphic novel to big budget misfire at the UK box office. I therefore had very few preconceived expectations, aside from a feint hope the Wachowski's brothers involvement in the script but noticeable absence from direction, would serve up a better film than the last two instalments of The Matrix Trilogy. Upon reflection I would have to say that I did enjoy the film by some measure above those ill fated cash-ins. V For Vendetta is not without its flaws but within its comic book sensibilities and anti-hero tale of revolution it succeeds in raising some pertinent questions.
The film's milieu maybe that of a non too distant London in the grip of a fascist dictatorship, but the allusions to present America are unmistakable. Specifically, John Hurt's (in an ironic nod to his casting as the victim in the film adaptation of George Orwell's 1984) Chancellor Adam Sutler, the zealot who reigns supreme over this dystopian totalitarian state, can be read as a thinly veiled allegory for the current tyrannical U.S. administration of George W. Bush. For more on this theme I point you toward a full review by Michael Mackenzie. I take my hat off to Michael as his appraisal is fair and balanced rather than the "for or against" hyperbole which has been a feature of many other opinions on the film. It appears this division is in large part due to the filmmakers omitting or being fanciful with the hallowed original material. In any case I found Michael's review very informative and it offered me a greater understanding of the film.
V For Vendetta does approach the issues surrounding the West's response to the threat of terrorism. It also challenges us to consider the reality of genuine representation and recognition of the will of a country's populous in the political systems of power which operate in a democratic society. However, it must be said the film does all this in a rather silly and idealistically muddled manner. But nevertheless it still succeeds at being entertaining.
The Countessa was far less forgiving and felt this film was... "crap" to put it succinctly. I wouldn't quite go that far. It is true though, if you are not able to come to the film with an adequate suspension of disbelief, intriguing social commentary or otherwise, the film simply isn't going to hold an interest for you.
Now I know very little about the film's tortuous transition from highly respected graphic novel to big budget misfire at the UK box office. I therefore had very few preconceived expectations, aside from a feint hope the Wachowski's brothers involvement in the script but noticeable absence from direction, would serve up a better film than the last two instalments of The Matrix Trilogy. Upon reflection I would have to say that I did enjoy the film by some measure above those ill fated cash-ins. V For Vendetta is not without its flaws but within its comic book sensibilities and anti-hero tale of revolution it succeeds in raising some pertinent questions.
The film's milieu maybe that of a non too distant London in the grip of a fascist dictatorship, but the allusions to present America are unmistakable. Specifically, John Hurt's (in an ironic nod to his casting as the victim in the film adaptation of George Orwell's 1984) Chancellor Adam Sutler, the zealot who reigns supreme over this dystopian totalitarian state, can be read as a thinly veiled allegory for the current tyrannical U.S. administration of George W. Bush. For more on this theme I point you toward a full review by Michael Mackenzie. I take my hat off to Michael as his appraisal is fair and balanced rather than the "for or against" hyperbole which has been a feature of many other opinions on the film. It appears this division is in large part due to the filmmakers omitting or being fanciful with the hallowed original material. In any case I found Michael's review very informative and it offered me a greater understanding of the film.
V For Vendetta does approach the issues surrounding the West's response to the threat of terrorism. It also challenges us to consider the reality of genuine representation and recognition of the will of a country's populous in the political systems of power which operate in a democratic society. However, it must be said the film does all this in a rather silly and idealistically muddled manner. But nevertheless it still succeeds at being entertaining.
The Countessa was far less forgiving and felt this film was... "crap" to put it succinctly. I wouldn't quite go that far. It is true though, if you are not able to come to the film with an adequate suspension of disbelief, intriguing social commentary or otherwise, the film simply isn't going to hold an interest for you.
Memorable line:
"... artists use lies to tell the truth while politicians use them to cover the truth up"
IMDB reference
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